taking everyday images of humans immersed in architecture, the author paints a different melancholy story for each space that reflects the people involved. and visa versa.
We’re not ready to go out there yet, honey. And besides, didn’t I do a pretty good job bringing the outside in?
(Photo: Christopher Sturman, Dwell, November 2009)
It was comforting to know that the neighbors had stopped speaking.
(Dwell magazine, April/May 2004)
She had this uncanny way of making him feel so, so small.
(Photo: Daniel Henessey; Dwell, November 2006)
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